Mumbai court restrains CarryMinati from posting defamatory content against Karan Johar

A Mumbai court has restrained YouTuber Ajey Nagar, popularly known as CarryMinati, along with talent manager Deepak Char and others, from publishing or circulating any defamatory content against filmmaker Karan Johar on social media platforms. The order was passed on February 9 by Principal Sessions Judge P.G. Bhonsale in the matter titled Karan Johar v. Ajey Nagar & Ors. The plea was filed by Johar through Apoorva Mehta, CEO of Dharma Productions, the banner owned by the filmmaker.

Allegations of defamatory and abusive content

In his plea, Johar claimed that the social media influencers had made defamatory statements about him in videos uploaded on YouTube. “The statements are so vulgar and abusive that they immediately needs to be taken down,” Johar’s plea stated. Counsel for Nagar argued before the court that the videos in question had already been taken down and that there was no surviving cause for Johar to approach the court.

However, Johar countered this submission, stating that although the original videos were deleted, they had already been viewed by “millions of people”. “Unknown persons are making reels of it and again circulating it in the social media,” Johar argued.

Court grants ad-interim injunction

After hearing the submissions, the court observed that prima facie it appeared that Nagar and Char had made defamatory statements and used vulgar language against Johar.

“These videos need to be taken down immediately. There should be injunction against all those who circulate and re-circulate these videos on the social media platform. This is fit case to pass ad-interim injunction orders against the defendants,” the Court held.

The court accordingly passed an order temporarily restraining content creators and others — including unnamed parties referred to as John Doe — from posting or circulating any further defamatory content against Johar until the filmmaker’s application for interim relief is finally heard.

Additionally, the court directed Meta Platforms to take down the video links flagged by Johar in the suit. The matter will now be heard further as the court considers Johar’s plea for interim relief.

Also Read: Karan Johar applauds Rani Mukerji as Mardaani 3 shows strong box office hold: “Rides on its own solid potential”

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Prakash Raj begins shooting for Drishyam 3, quips he is “not replacing anyone” after Akshaye Khanna’s exit from Ajay Devgn-starrer

Veteran actor Prakash Raj has officially started shooting for the much-anticipated Hindi thriller Drishyam 3. The actor confirmed his participation through a social media post, while also addressing speculation surrounding the film’s casting after Akshaye Khanna’s reported exit from the project.

Taking to X, Prakash Raj shared an update from the sets and wrote: “Started shooting for this engaging franchise #Drishyam3 in Hindi. With a wonderful team and a scintillating role to play. I’m sure you will love it. (And yes, I’m not replacing anyone..)”

Started shooting for this engaging franchise #Drishyam3 in hindi. With a wonderful team and a scintillating role to play . Im sure you will love it . ❤️❤️❤️( and yes im not replacing anyone..) 😛😛😛 — Prakash Raj (@prakashraaj) February 10, 2026

The post appeared to directly respond to ongoing assumptions that he might be stepping into a role earlier associated with Khanna. His clarification suggests that his character is a new addition rather than a replacement.

Notably, Bollywood Hungama was the first to report that Prakash Raj would be joining the cast of Drishyam 3, hours before the actor confirmed the development himself.

The third instalment of the franchise continues the story of Vijay Salgaonkar and his family, with Ajay Devgn expected to reprise his lead role. The earlier films were both commercial successes and built a strong following, raising expectations for the upcoming chapter. Recent clarification on Spirit rumours The development comes shortly after Prakash Raj addressed separate reports claiming that he had been dropped from Sandeep Reddy Vanga’s upcoming film Spirit due to creative differences. The Prabhas and Triptii Dimri-starrer is currently in production and has been generating steady buzz since its announcement.

Earlier reports had suggested that Prakash Raj, who was initially announced as a key cast member, was removed from the project while the film was already being shot in Hyderabad. According to these claims, issues allegedly arose on set, leading to an unexpected casting change at that stage of production.

However, Prakash Raj strongly refuted these reports. Taking to his X handle (formerly Twitter), the actor wrote, “To all the toxic #Fakenews peddlers…. On #Spirit the movie. We have not even started shooting for my scenes, and you whatsup factories speculate stories. Grow up and have a life. #justasking.”

As Drishyam 3 moves forward in production and Spirit remains in active development, Prakash Raj has now publicly clarified his association with both projects, putting recent speculation on record.

Also Read: Prakash Raj slams National Film Awards: “When files and piles are getting awards! They don’t deserve Mammukka”

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Ranveer Singh receives threat; security heightened at Mumbai residence as police launch probe

Actor Ranveer Singh has received a threat, prompting a police probe and heightened security at his Mumbai residence. According to a report by PTI, the actor was sent a threatening voice message, following which the authorities initiated an investigation.

Police sources confirmed that the Crime Branch is currently examining the voice note and attempting to trace the sender. A search operation has been launched as part of the inquiry.

In the wake of the threat, security arrangements at the residence shared by Ranveer Singh and Deepika Padukone have reportedly been strengthened. According to a letter circulating online and attributed to the society managing committee of the residential complex, six armed private security guards have been stationed at the premises along with one uniformed police personnel. The letter notes that such deployment was not in place earlier.

The society has raised concerns about the movement of armed guards through common areas, including the lobby, gymnasium and children’s play area. Residents have expressed discomfort and flagged safety concerns over the presence of weapons in shared spaces.

In a letter dated February 10 addressed to Dadar Police, the Society Managing Committee sought clarification on multiple points. These include whether the private security guards are carrying licensed firearms within the residential premises, whether Dadar Police Station has granted permission for such deployment, and details regarding the police personnel stationed at the flat — including the department responsible and the nature of the assignment.

While acknowledging and appreciating the police department’s prompt action in sending an officer to verify the security arrangements, the society has requested official clarification to address concerns among residents. Police officials have not yet disclosed further details about the content of the threatening message. The investigation remains ongoing.

Also Read: “Ranveer Singh is absolutely beautiful to watch on screen,” says ‘Shararat’ song fame Ayesha Khan

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Karan Johar says working with “terrifying” Saroj Khan on DDLJ “traumatised” him

Filmmaker Karan Johar has opened up about a challenging experience early in his career, recalling how legendary choreographer Saroj Khan reacted to his involvement during the making of Dilwale Dulhania Le Jayenge (DDLJ). In a conversation with The Hollywood Reporter India, Johar described the encounter as frightening and emotionally taxing, even though he ultimately acknowledged Saroj Khan’s talent.

Johar began his career in the film industry as a costume assistant on the 1995 romantic drama, working under Aditya Chopra and alongside designer Manish Malhotra. Years later, he reflected on the intensity he experienced on set, particularly during the filming of the song ‘Mehndi Laga Ke Rakhna.’

“At that time, the costume dada was my biggest ally… Manish would come in the morning, hand over the clothes, and leave. I was the costume assistant, and Pam aunty was deeply involved in the process,” Johar recalled, referring to Pamela Chopra’s hands-on role with costumes.

Trouble emerged when Saroj Khan requested additional red scarves for dancers mid-shoot. The team did not have enough fabric on hand, prompting Johar to suggest a workaround to Saroj’s assistant: “…it would look stylish if the dancers put one hand in their pocket and held the scarf in the other.”

However, when Saroj Khan learned of the idea she was not receptive. Johar said she “lost it,” demanding red satin cloth immediately or threatening not to shoot. He later described the ordeal vividly: “She caught hold of me — literally pushed me — and said, ‘Go wherever you have to. Go to Goregaon, bring the red cloth, or I will not shoot.’ I remember running on the streets of Goregaon with the costume dada, desperately looking for red satin cloth. I was scared for my life. I was traumatised. She was terrifying.”

Despite the fear he felt at the time, Johar balanced his account by acknowledging Saroj Khan’s skill and contribution to Indian cinema. “She was scary, but she was the best. She didn’t like me at all. She was just unhappy with me,” he said, underlining the creative intensity she brought to her work.

Johar also shared a lighter memory from the same production involving his tendency to give unsolicited costume suggestions. During the filming of ‘Tujhe Dekha Toh Yeh Jaana Sanam,’ he playfully dressed the lead actors in dungarees — an idea Saroj Khan reacted to with surprise. “She looked at them and said, ‘‘Yeh baba baby banke kyun aaye hain?’’ I answered back… She’d be like, ‘Yeh kyun bolta rehta hai?’ because I was always giving my two cents,” he said with a laugh.

Also Read: Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai

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Ranveer Singh and Excel Entertainment clash over Rs 40 crores after Don 3 exit: Report

A financial dispute has emerged between Bollywood actor Ranveer Singh and Don 3 producers Farhan Akhtar and Ritesh Sidhwani’s Excel Entertainment following Singh’s reported exit from the much-anticipated action thriller. The production house is seeking compensation of Rs 40 crores for alleged losses incurred after the actor stepped away from the project.

The conflict has taken an industry spotlight not over box office performance, but over costs associated with pre-production. Sources cited in a report by Variety India indicate that Excel Entertainment claims it invested heavily in early stages of development — including scheduling, location planning and hiring crew — based on Ranveer Singh’s commitment to play the lead role.

Ranveer Singh is said to strongly contest the demand. According to the report, he argues he should not be held financially responsible for leaving the project. “Ranveer claims he left the project because he wasn’t happy with the script. He kept asking for changes to be made and didn’t like what the final draft read,” the report quoted, while noting that Excel maintained pre-production moved ahead only after Singh had given his approval.

The report further stated that several heads of departments were released from their roles and asked to seek alternative work, a move the production house attributes to the financial setback. This element of the dispute underscores the broader impact such disagreements can have on film crews and production timelines.

A two-hour meeting between representatives of Ranveer Singh and Excel was held last Friday to resolve differences, but sources told reporters that no agreement was reached. With tensions persisting, the Producers Guild of India (PGI) has stepped in to mediate between the parties in hopes of finding common ground and preventing further escalation.

Neither Ranveer Singh nor Excel Entertainment has issued an official statement on the matter as of this writing. The dispute comes at a time when Singh is preparing for the release of Dhurandhar: Part 2, while Excel still evaluates its slate following delays to Don 3.

Also Read: Suniel Shetty praises Aditya Dhar and Ranveer Singh after watching Dhurandhar; calls it ‘mind-blowing film’

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FWICE demands withdrawal of Ghooskhor Pandat title, warns of strict action

The controversy around the upcoming Netflix film Ghooskhor Pandat, produced by Neeraj Pandey and starring Manoj Bajpayee, grew more intense this week after the Federation of Western India Cine Employees (FWICE) formally objected to its title and urged the makers to withdraw it, warning of significant industry action if the demand is not met.

The dispute began soon after the film’s announcement and teaser release, with many viewers and various organisations criticising the title Ghooskhor Pandat as offensive and potentially derogatory toward a specific community. The title combines ghooskhor — a colloquial Hindi term for someone who takes bribes — with Pandat, commonly associated with the Brahmin community. Critics argued that this linkage could perpetuate stereotypes and hurt sentiments. FWICE’s Objection and Warning FWICE, a body representing workers, technicians and artists across more than three dozen affiliated associations, sent a letter to producers’ bodies and major OTT platforms, including Netflix, Amazon Prime Video, Zee5 and SonyLIV. The organisation, according to a PTI report, stated: “FWICE and all its affiliated associations strongly object to the use of this title, as it appears to single out and target a particular community and its traditional means of livelihood in a derogatory and offensive manner.”

The letter added, “Such a title has the potential to hurt sentiments, provoke misunderstanding, and disturb social harmony… We therefore appeal to all producer bodies to refrain from allowing the registration or continuation of film titles that are provocative in nature and capable of creating unrest among Indians.” The federation emphasised that the film industry, as a platform of influence, has a responsibility to avoid promoting disrespect or division.

FWICE also warned that if the title is not withdrawn promptly, it may advise its associations and members to distance themselves from any project associated with the film’s production house. This could translate into a boycott of technicians and crew working on future films by the same producers. Government, Legal and Public Reaction to Ghooskhor Pandat The controversy crossed into legal and political arenas. In Lucknow, an FIR was lodged against the film’s creators for allegedly hurting caste sentiments, and a writ petition has been filed in the Delhi High Court seeking a stay on the film’s release on grounds that the title is “communally offensive.”

Political organisations and leaders have also joined the criticism. The Vishwa Hindu Parishad (VHP) labelled the title as “offensive” and has urged appropriate measures against the film. Amid the backlash, authorities reportedly directed Netflix India to remove the teaser and related promotional content from official channels.

Responding to the uproar, Neeraj Pandey issued a statement acknowledging that the title had “hurt” some viewers and announced that all promotional material for the project would be taken down for the moment. He clarified: “Our film is a fictional cop drama… the term ‘Pandat’ is used simply as a colloquial name for a character. The story focuses on an individual’s actions and choices and does not comment on or represent any caste, religion or community.”

Manoj Bajpayee also addressed the controversy on his official social media, writing: “I respect the emotions and concerns people have shared, and I take them seriously… For me, this was about portraying a flawed individual and his journey of self-realisation. This was not meant to be a statement about any community.”

Beyond FWICE, the Film Makers Combine (FMC) — another industry body — has objected to the title on procedural grounds, noting that Ghooskhor Pandat had not been formally approved under standard title registration processes. The organisation has cautioned the production and Netflix against using an unauthorized title.

Also Read: After Neeraj Pandey, Manoj Bajpayee addresses backlash over Ghooskhor Pandat title: “Not meant to be a statement about any community”

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Prakash Raj is no longer part of Spirit due to creative disagreements with Sandeep Reddy Vanga: Report

National Award-winning actor Prakash Raj is said to have been dropped from the highly anticipated Telugu action drama Spirit, directed by Sandeep Reddy Vanga and headlined by Prabhas and Triptii Dimri. The development has drawn attention after the film’s launch, where Raj’s name and voice had featured prominently in early promotional material.

Spirit, which is being shot in Hyderabad and has generated significant buzz as one of the most ambitious projects in South Indian cinema, now appears to be facing internal challenges beyond its scale and star cast. A report by OTT Play suggests that creative disagreements and on-set friction between Prakash Raj and the filmmaking team may have led to the actor’s exit.

According to the report, the dispute reportedly arose over the script and the execution of a particular sequence. While specific details of the disagreement have not been publicly disclosed, sources within the industry described the interaction as a “heated disagreement.” However, neither Prakash Raj nor the makers of Spirit have issued an official statement confirming the circumstances of his departure.

Raj’s involvement had generated anticipation after his authoritative voice was used in the film’s launch materials, suggesting a significant role, potentially as a senior figure in the narrative.

The developments surrounding Spirit come months after another key casting change. Actress Deepika Padukone had earlier exited the project amid reported disagreements over scheduling and other requirements, and was subsequently replaced by Triptii Dimri, whose casting was confirmed by director Vanga.

Spirit is set to chronicle a gritty story with Prabhas in the lead, reportedly portraying a former police officer drawn into conflict with powerful adversaries. The project has attracted attention for its scale, ensemble cast, and the return of Vanga after the success of his previous films. Filming and release plans continue to evolve, with an expected premiere date projected for March 2027, although production timelines have shifted at various stages.

Also Read: Prakash Raj slams National Film Awards: “When files and piles are getting awards! They don’t deserve Mammukka”

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