Wednesday, July 8, 2026

SCOOP: King becomes Shah Rukh Khan's most expensive film; Siddharth Anand directorial cost shoots up to Rs. 450 crores

Shah Rukh Khan means big, bigger and biggest. As the superstar gears up to make a comeback to the big screen after 3-long years with the Siddharth Anand directed King, the excitement is sky-rocketing on a day-to-day basis. The film went on floors in May 2025, and the shoot is expected to be wrapped up by August 2026. Through the 1 year and 3 months, the team of King has extensively shot the film all across the world for about 150+ days, with some of the biggest stunt teams of the world.

The action design of the film also requires state-of-art VFX, which is being done by Shah Rukh Khan's own company, Red Chillies Entertainment. With 6 months to go for the release, Bollywood Hungama has exclusively learnt that King is set to become the most expensive film of Shah Rukh Khan's career, surpassing his previous best Jawan. "Shah Rukh Khan always believes in delivering an uncompromised product to the audience. King started-off as an action thriller, but the ambition of SRK and Sid have made it a tentpole action thriller, with some of the biggest action sequences that the audience will get to witness on the spectacle," a source told Bollywood Hungama.

The source further informs that the budget of King is around Rs. 450 crore, excluding print and publicity, as well as the acting fees of Shah Rukh Khan. "All the money spent is to ensure an uncompromised cinematic experience to the audience. You will see every penny spent by the makers on the screen, as it's a new Shah Rukh Khan experience," the source tells us further.

For those unaware, the budget of Jawan was also around the Rs. 400 crore mark, surpassing the budget of Pathaan at Rs. 350 crore. With King, the superstar is all set to raise the standards of action in India Cinema further.

Also Read: “Shah Rukh Khan rolled on the floor laughing”: Farah Khan recalls Main Hoon Naa stunt gone wrong!



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Dada to release on May 14, 2027: Rajkummar Rao brings Sourav Ganguly's historic Lord's moment to life in first poster

The makers of Dada: The Sourav Ganguly Story have unveiled the first-look poster of the much-awaited biographical drama on the occasion of former India captain Sourav Ganguly's birthday. Along with the poster, the team also confirmed that the film will release in theatres worldwide on May 14, 2027, during an extended holiday weekend.

The first-look poster features Rajkummar Rao recreating one of the most memorable moments in Indian cricket history. The actor is seen portraying Ganguly during his iconic jersey-waving celebration from the Lord's balcony after India's memorable NatWest Trophy victory over England in 2002. The moment remains one of the defining images of Ganguly's captaincy and is widely remembered by cricket fans.

The film will trace Ganguly's journey from a promising young cricketer to one of India's most influential captains. It aims to explore key moments from his personal and professional life while highlighting the leadership, determination and resilience that shaped his career and left a lasting impact on Indian cricket.

The makers shared the first-look poster on social media, giving fans a glimpse of Rajkummar Rao's transformation into the former cricketer. The announcement has generated excitement among both cinema lovers and cricket enthusiasts, especially as it coincides with Ganguly's birthday.

 

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  A post shared by RajKummar Rao (@rajkummar_rao)

Dada: The Sourav Ganguly Story is directed by acclaimed filmmaker Vikramaditya Motwane and produced by Luv Ranjan and Ankur Garg under the banner of Luv Films. The project is presented by Gulshan Kumar, Bhushan Kumar, T-Series and DBL.

Rajkummar Rao, known for portraying real-life personalities on screen, takes on the role of Ganguly in what is expected to be one of his biggest films to date. The first-look poster suggests the film will revisit several landmark moments from the former Indian captain's career, beginning with one of his most celebrated on-field celebrations.

With filming progressing and the release date now locked, Dada: The Sourav Ganguly Story is set to arrive in cinemas worldwide on May 14, 2027, bringing the story of one of Indian cricket's most successful captains to the big screen.

Also Read: Akash Makhija recalls Rajkummar Rao’s call after watching Raakh: “You guys have no idea what you’ve done”



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Tuesday, July 7, 2026

FACT CHECK: Ramayana distribution rights sold to Karan Johar for Rs. 350 crores - Biggest of all time, defeating King

The Ranbir Kapoor, Sai Pallavi, Yash and Sunny Deol led Ramayana produced by Namit Malhotra is among the most anticipated releases of the years. Mounted on a budget of Rs. 1500 crores, the first part of the epic saga directed by Nitesh Tiwari is all set for a theatrical release this Diwali. But obviously, everyone is making an attempt to grab the headlines with all possible updates on the film.

Earlier in the day, it was revealed that the all-India distribution rights of Namit Malhotra produced-Ramayana have been acquired by Dharma Productions for a sum of Rs. 250 crores. Turns out the amount is a lot higher. Reliable sources confirmed that the Hindi distribution rights of Namit Malhotra's Ramayana have been acquired by Karan Johar for a sum of Rs. 350 crores. "It's the biggest theatrical distribution deal of all time. The Rs. 350 crores fetched by Namit Malhotra's Ramayana is higher than the previous best, King, by a margin of Rs. 100 crores. The expectations are sky high, and the entire film fraternity is bullish on the prospects of Ramayana produced by Namit Malhotra," a source told Bollywood Hungama.

The source also confirmed that Dharma Production will be going all out to ensure the widest release for this epic tale celebrating triumph of good over evil. "Big plans are already underway for the theatrical release of Ramayana. It's undoubtedly the most awaited film of India with the biggest ever star-cast led by Ranbir Kapoor and Yash with Sai Pallavi and Sunny Deol. There are enquiries from all across the country, and the film is destined to rewrite box-office in India. Namit Malhotra has personally sat on the post-production of the film to ensure that the visuals represent India at a global level. He has created something special, and everyone is blown away with the epic vision."

The work on the theatrical trailer is going on in full swing. Ramayana is slated for a global release on October 30, 2026.

Also Read: Ramayana: Karan Johar’s Dharma Productions comes on board to distribute Ranbir Kapoor starrer in India, says report



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Satluj co-writer Niren Bhatt questions film's removal; says, "If The Kashmir Files can exist, why not our film?"

When Satluj quietly appeared on ZEE5 late on Friday night, it felt to co-writer Niren Bhatt like the end of a three-year fight. By Sunday evening, that relief had vanished, with ZEE5 abruptly pulling the biographical drama from its platform in India.

A miraculous release, then silence

Originally titled Panjab 95, the film had spent three years mired in controversy, facing an unprecedented 127 cuts demanded by the CBFC. In an interview with Variety India, Bhatt recalled that the digital release came as a complete surprise. “Honestly, we only found out on Friday evening when we got a message saying it was live,” he said. “No one had a clue. We had completely given up hope that it would ever release. Honey (Trehan) was in talks with RSVP, but even he did not believe it would actually happen until it dropped. For the last four years, we have lived with these endless cycles of conversations, so when it finally went live, I genuinely believed it was safe.”

Comparisons to other controversial films

Bhatt pushed back against suggestions that Satluj could be exploited by “anti-India forces,” pointing to precedents in Hindi cinema. “That argument simply does not hold,” he said. “If The Kashmir Files can exist, if The Kerala Story can exist, why can they exist without being labeled tools for international forces? Why is our film the chosen one that will suddenly be misused by extreme elements? You cannot jump to far-fetched, paranoid conclusions just to suppress a straightforward biography. It makes absolutely no sense.”

He noted that the suppression had already backfired, with international curiosity fuelling a wave of piracy since the film remains accessible to audiences abroad. “Banning or restricting content is a false move because it only triggers immense curiosity,” Bhatt explained. “People loved the film. There are thousands of videos and tweets from viewers saying they broke down or were left speechless. When a movie evokes such a profound emotional reaction, word of mouth travels fast. If people cannot find it on an official platform, they will inevitably look elsewhere. It is deeply frustrating because this film belonged in theaters. They stopped our premiere at the Toronto International Film Festival, they blocked the international theatrical release and now they are pausing it on OTT.”

Reflecting on the emotional cost of the fight, Bhatt admitted uncertainty over what it means for the future of courageous storytelling in the country. “The world needs stories like this,” he said, “but after watching what we went through, who will ever dare to attempt a movie like this again?”

Satluj remains unavailable for streaming in India, with no update on when it may return to ZEE5. Bhatt said the makers plan to challenge the decision in court, while the reasons behind the film's removal have not been officially disclosed.

Also Read: Satluj leaked online after abrupt Zee5 removal; social media rallies behind Diljit Dosanjh starrer



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20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia.

You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage?

Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of knowledge, unlike me, about the corporate world.

After Page 3, I received a lot of backlash from the corporate people and socialites. A lot of people believed that we had exposed the underbelly of the high-end rich people. Hence, many were reluctant to give us access to their boardrooms (laughs)! They feared I’d expose them as well.

Nevertheless, I managed to do my research and met a lot of people in Mumbai and Delhi. We zeroed in on the rivalry between two soft drink giants as the crux of the story. We also focused on the nitty-gritties of these people and their superstitions. For instance, we showed Raj Babbar’s character wearing a ring according to the day of the week. The film was 70% inspired by real life. We took real incidents that happened at that time.

I met people not just from the corporate world but also the financial side. Several finance journalists also shared interesting inputs. I believe it was a well-scripted film and slickly cut.

Was Bipasha Basu the first choice?

She came to my mind instantly when I was wondering whom to cast for the role. At that time, she had an overtly glamorous image. Jism (2003) had released two years before. In Corporate, I was going to make her fully clothed from head to toe, that too in a suit-boot! Hence, many were apprehensive, but I was adamant about casting her. To be honest, I had not seen Jism; I still haven’t seen it. The only film of her that I had seen until then was Ajnabee (2001). I liked her in that film.

A lot of people remarked that my films are performance-heavy and wondered if she could pull it off. I was confident that I’d extract a fine performance from her. To date, Corporate is a landmark film in Bipasha Basu’s career. Now, it’s the era of OTT. At that time, she told me that she used to hand over the DVDs of Corporate to filmmakers who wanted to see her performance. It was like a showreel for her. So, I feel very happy for her.

How was the feedback to the film post-release?

Corporate was a big multiplex hit and was quite appreciated. There were organizations that alleged that I had painted everyone in the corporate world with the same brush. They were of the opinion that every character in the film was immoral. Hence, they feared that people would be discouraged from taking up an MBA after watching the film!

However, people from the corporate field appreciated the film a lot. Some of the biggest businessmen of the country sent me bouquets and shared their positive feedback. I don’t want to name them. They took the pains of finding my number and told me, ‘You got the nuances and jargon right’. One business personality remarked, ‘I felt as if you have put a camera in my office and shot the film. It is so real’! The stock market people were amazed by the research and nitty-gritties. Those were the biggest compliments I got.

In some offices, a half-day was declared and employees were encouraged to watch Corporate. Groups of 30, 40 and even 50 people used to watch the film. We can say that corporate booking, in a good way, started in 2006 with the movie Corporate (laughs)!

So, yes, the response was great. I used to get SMSes non-stop on my Nokia phone. Bipasha Basu was flooded with bouquets and positive feedback. Sahara and Percept threw a success party at Taj Lands End. They even gifted me a Pajero car. I was very overwhelmed.

Do you ever plan to make Corporate 2?

A lot of people have been asking me this since the release of Corporate, and even today, I continue to receive that feedback. The corporate world has completely changed since then, and I also believe that Corporate has immense potential for a sequel. So, never say never. However, if I do make it, it will be set in a different context, offer a different perspective and explore an entirely different corporate world.

Corporate is a case study in IIM Ahmedabad…

(Smiles) Indeed. I had the fortune of addressing the MBA students there. It was great to interact with them and they noticed something which I myself never detected in my own film! I asked the students about their takeaway. They unanimously told me, ‘Corporate world mein logon ko dimaag se kaam karna chahiye, dil se nahin’! I was amazed. I asked them the reason. They reasoned that Bipasha’s character made a big sacrifice because she was in love. Ultimately, her emotional decision led her to jail. Hence, they concluded that one needs to be very practical in this field.

It reminded me of what a lot of bar girls told me after watching Chandni Bar (2001). They noted, ‘Your film teaches us how important it is to be financially strong in life. Life mein kabhi bhi kuch bhi ho sakta hai aur bure din bolke nahin aate’.

The film seems to be inspired by the Coca-Cola and Pepsi rivalry. The pesticide angle also seems to be taken from real life…

Yes, a lot of people drew parallels. So many people told me that they had stopped consuming soft drinks after watching Corporate! I was flooded with such interesting feedback. Many who protested against the film before release invited me to their events after watching the film. I never kept any grudges and accepted such invitations.

In short, it’s been a great journey for me and even after 20 years, people connect with the film.

Also Read: Madhur Bhandarkar THUNDERS: “Producers complain that actors ask for 12-13 vanity vans. But if a prominent actor signs his film, same producer would have no qualms in arranging for 14 vans!”



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Neha Dhupia's debut International Film 52 Blue to open London Indian Film Festival

Actor Neha Dhupia is all set to mark a major milestone in her career as her first international feature film, 52 Blue, gears up to open the prestigious London Indian Film Festival with its European premiere at BFI Southbank on July 9.

The film has received an overwhelmingly positive response for Neha’s striking transformation and powerful performance. Audiences and critics alike have praised the emotional depth of the film, making 52 Blue one of the most anticipated showcases at the festival this year.

Adding to the excitement, globally celebrated football icon Lionel Messi is also associated with the film, further amplifying international attention around the project. The film’s global appeal, coupled with its emotionally rich storytelling, has made it a standout title on the festival circuit. Neha Dhupia will be attending the grand premiere in London alongside acclaimed actor Adil Hussain and the ensemble cast of the film. The premiere is expected to draw international cinema lovers, industry veterans, and members of the South Asian film community from across the globe.

Speaking about this special moment, Neha Dhupia shared, “52 Blue will always be an incredibly special film for me because it marks my first international project, and to see it opening a festival as prestigious as the London Indian Film Festival feels surreal. As actors, we constantly seek stories that move us, challenge us, and stay with us long after the camera stops rolling, and this film did exactly that for me. The response to the trailer has been deeply encouraging, especially the love coming in for my character and performance. It reassures you that audiences are connecting with the emotional world of the film.”

She further added, “To have our European premiere at the iconic BFI Southbank is a huge honour for the entire team. Sharing this moment with such talented co-actors like Adil Hussain and the rest of the cast makes it even more memorable. The association of someone as globally admired as Lionel Messi with the film has also brought an incredible spotlight to the project internationally. I genuinely cannot wait to experience the audience reaction in London and celebrate this journey with everyone who has been part of bringing 52 Blue to life.”

With international attention building steadily around the film, 52 Blue is poised to make a strong impact at the London Indian Film Festival, setting the stage for an exciting global journey ahead.

Also Read: 52 Blue first look out: Neha Dhupia steps into raw, deglam avatar in debut international film



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Sunday, July 5, 2026

Ali Fazal and Richa Chadha to romance on screen for the first time in Shashie Vermaa directorial; film set for April 2027 release

Ali Fazal and Richa Chadha are all set to share screen space as an on-screen couple for the first time in an untitled situational comedy directed by Shashie Vermaa. While the real-life couple has previously appeared together in the popular Fukrey franchise, this marks the first film where they will be paired opposite each other in lead roles.

Backed by Scenework Productions and Giriraj Productions, the film will also star acclaimed actor Kumud Mishra in a pivotal role. Set against the vibrant and chaotic backdrop of Delhi, the comedy promises a slice-of-life narrative infused with humour, emotions, and social commentary.

Shashie Vermaa, known for his work as an actor in films like Bala, Gunjan Saxena, and Kathal, as well as for writing and directing projects such as AK47 and Murga Trophy, will helm the yet-untitled entertainer. The film is scheduled to go on floors in the second half of 2026, with a theatrical release planned for April 2027.

Speaking about the project, Ali Fazal said, “I’ve always believed that the best comedies come from honest characters and believable situations. The moment I read this script, I knew there was something special about it. It’s also exciting to finally explore a completely new dynamic with Richa on screen, and I’m really looking forward to what we’ll create together. Shashie Sir’s work is truly something i have followed and have wanted to work with him and that is also a huge reason for me to be part of this project”.

Sharing her excitement, Richa Chadha added, “What drew me in was the simplicity and authenticity of the writing. It’s funny, emotional and deeply rooted in everyday life with a great social commentary angle to the story. Ali and I have shared the screen before, but never quite like this, and I’m genuinely excited for audiences to see us together in an entirely new space. The story reminded me of my first school days which was in Jamuna Paar in Delhi, and I am very excited to share screen with Ali, he’s a gifted actor. We have never had the opportunity to work together in this capacity, previously we worked on Fukrey which was more of an adversarial role”.

Director Shashie Vermaa described the film as a character-driven comedy rooted in everyday life. “This is a story that celebrates people, relationships, the lens of the society and the chaos that a small moment can bring in someone’s life that can turn it all topsy turvy. Delhi itself is almost a character in the film. Having performers like Ali, Richa and Kumud brings incredible depth, spontaneity and heart to the world we’ve created, and I can’t wait to begin filming.”

Mukesh Giri of Giriraj Productions echoed the excitement, saying, “From the very beginning, this story stood out because of its honesty, humour and universal appeal. Bringing together Ali and Richa in a pairing, audiences haven’t seen before, alongside an actor of Kumud Mishra’s calibre and under the direction of Shashie Vermaa, makes this an incredibly exciting project for all of us. We look forward to taking this film to audiences in 2027.”

The announcement comes shortly after Scenework Productions and Giriraj Productions wrapped up their children's sports film Murga Trophy, as both production houses continue to expand their slate with stories spanning multiple genres.

Also Read: Ali Fazal’s Guddu Pandit to take a darker path in Mirzapur: The Movie; deets inside!



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